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Artists -- Russia Federation -- Biography. It critically assesses both her life and work, and includes that artist's theoretical writing in its entirety.

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By researching original documents - many of them published here for the first time - Nina Gurianova recreates the very spirit of the cultural milieu that contributed so much to the transformation of twentieth-century art. Contents Chapter 1. Context: Olga Rozanova and the early russian avant-garde Chapter 2.

Invention: futurist shift Chapter 3. Transition: toward suprematism Chapter 4.

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Exploring color : Olga Rozanova and the early Russian Avant-Garde, in SearchWorks catalog

Notes Translated from the Russian. Includes bibliographical references p. View online Borrow Buy Freely available Show 0 more links Set up My libraries How do I set up "My libraries"? Monash University Library.

Exploring Color

Open to the public ; University of Sydney Library. Open to the public.

A Tribute to the Russian Avant Garde

None of your libraries hold this item. Shortly after the book was published, Kruchenykh left Petrograd to live in a hut in the Caucausus to avoid the draft. The book is an early attempt to link zaum poetry often translated as 'transrational' or 'beyonsense' poetry with 'zaum' images. In the foreword, Kruchenykh refers to the book as 'Poetic zaum shaking the hand of the pictorial zaum'.

Exploring Color Olga Rozanova and the Early Russian Avant Garde 1910 1918

Universal War is often erroneously credited as a collaboration between Kruchenykh and his wife, the artist Olga Rozanova. Whilst the pair often collaborated on artist's books-including A Game In Hell and Transrational Boog - most authorities now consider the work to be by Kruchenykh alone. He left Gileia in to join the rival Donkey's Tail group. These three publications set the tone for a radical deconstruction of the book format:.


  • Exploring Color: Olga Rozanova and the Early Russian Avant-Garde 1910-1918.
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In a series of remarkable book works of to , Kruchenykh and his collaborators challenged this legacy in an unprecedentedly complete way, step-by-step departing from our European expectations about what a twentieth century book should be," Gerald Janecek [12].

Universal War was an atypical book for Kruchenykh, since despite training as an artist, he usually only supplied the poetry for his books. This allowed collaborating artists such as Natalya Goncharova , Kazimir Malevich and Rozanova unusual levels of freedom to integrate their pictures with his hand-written words.


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The series of collages run parallel to the poetry printed on the first two sheets. Germany is depicted as a belligerent spiky helmet with its shadow, a black panther, fighting Russia. The book starts with two pages of poems, under the headline "Universal War will take place in " [14] with page references to associate them with specific images. These poems are followed by 12 related collages, consisting of coloured sheets of card-mostly dark blue, but interspersed with grey, white and pink sheets- with various other papers and fabrics stuck to the sheets. Whilst the copies are similar, they show subtle differences.